Treatment to the Chaos

Treatment to the chaos in Downtown Seattle

Project: Freeway Park

Location: Boundary North by Union and on the south by Spring Street. East to First Hill, west to the Seattle's financial center.

Observation time: 01/ 18, 2013, Friday, 10:00-12:00am

Participants: Dian (Nikky) Zhang, Xiaoyang Zhu, Yuan (Evan) Lin.

Observation:
1. Context: The park locates in the center of downtown Seattle. The !-5 Freeway and The 8th Ave go through the park. There is a large city-owned parking lot underneath the park. And the boundary is defined by Washington State Convention and Trade Center.
2. Activities: There are 2 main open spaces and many pedestrian made of concrete. in this park. the activities include waling, jogging, gathering, passing through and getting into the building.
3. Plants: In order to reduce the pollution from the freeway, the designer selected some native evergreen shrubs and trees which have a high ability to resist the toxic dirt and noise. There are some other colorful plants to indicate seasonal change.
4. Texture: The artificial part in this park is purely grey concrete, with some obvious red movable chair. Some of the plants would turn yellow and hard, which makes a big contrast between hard and soft. Aesthetically, the interact of each material is well presented.
5. Plans create the space: Most of the plants grow high and dense to enclose the road and define the boundary, while there are also some individual trees with beautiful appearance standing on a wide and flat grass field.

Conclusion:
Freeway Park is a wise design treating the complex context around. The freeway and other streets through the park can also be regarded as a mimic aspect of nature. The project blurs the boundary of what is natural process and what is urban.

Art in the Open

Our group focused on the topic of art and nature in the city, and for two different views, we looked at Gas Works Park and Olympic Sculpture Park. The concept of the shared city applies to these two sites in multiple ways. As open public spaces, they provide dedicated spaces for enjoying the outdoors, and they are both situated on waterfront locations that allow for picturesque views of the surrounding city. Unlike traditional parks that cater to recreational or sports activities, these parks give free access to art and seem more like outdoor museums that encourage contemplation, inspiring or challenging the visitor to reconsider how we interact with art and what counts as art. Both parks exemplify a generous ideal for public spaces, whether allowing a public space for the Seattle Art Museum to share some of their sculptural holdings with the public or transforming what was once a utilitarian space into an open space, redefining the idea of the public park in the process. While the newer, dynamically designed Olympic Sculpture Park displays its various sponsors and patronage in several locations throughout the park, as well as warning signs for restricted actions, Gas Works Park evokes a more natural and historical image.

Gas Works Park has blurry boundaries in terms of nature and art, combining characteristics of man-made and natural entities. As we entered the park, we saw a colorful playground, decayed pipes, sculpture and huge mound. Since Gas Works Park is surrounded by dense conifers, grass and other plants, we felt like we were in nature. That huge mound, though natural-looking, is artificial, with a constructed pathway and decorative sundial on the top. Looking at the whole view from the top of the mound, we noticed that the pipes act as a symbol of the park, sharing its identity and history. The colorful building offers a recreation space for children while providing shelter for the homeless and behind the building are picnic tables. Gas Works Park is a good place for families, couples, students, bicyclers, photographers, dogs, birds, and plants since it provides beautiful views and connects both artwork and visitors to nature.

By: Eyun Jennifer Kim & Michelle Kang

Shared Spaces to Connect Spaces

-->
--> -->

One challenge faced by landscape architects is how to connect green spaces within a city. This issue can be especially difficult in dense urban areas such as city centers, or for example, the area near the University of Washington in University District, Seattle. The greenway that connects Green Lake Park with Ravenna Park along NE Ravenna Boulevard is one such space that achieves this goal. Fredrick Law Olmsted designed the greenway in 1903 as part of the grand plan of Seattle's city parks. The thirty-plus foot green lawn that divides the roadway provides an aesthetically appealing connection for the two parks and has evolved over time to be an important space within the neighborhood.

Observations of the greenway on a chilly January day reveal that this is indeed a shared space even in the middle of winter. Drivers on the roadway, bikers, walkers, runners, area residents and business-owners all use it for different purposes. As such, the greenway is certainly an example of city sharing in Seattle. Business owners use the open space to place advertisements in plain sight of passers by. Runners have worn a path in the grass along the tree line from many years of use. The thirty-plus feet of green lawn is wide enough to play with dogs or pass a Frisbee between friends; and bikers, drivers and walkers all use the roadway as well. This greenway along with other shared spaces throughout the city help to create a flow of users from park to park; and therefore increase the functionality of the green spaces within the city as a whole.

By: Darcy Akers and Kenna Patrick

Flowing Cityscape

Flowing Cityscapes

Our group chose the Burke Gilman Trail to explore the idea of city sharing. On the day we walked the trail, it was overcast and bitterly cold. We started out at the corner of 15^th Ave and Pacific Street and walked to Gasworks Park. The trail offered different views, people’s activities, buildings, animals and vegetation all coalescing and intersecting along the sequence.

Generally the trail has blurry boundaries, fusing the natural environment and people, with an indistinct line between public and private land. The trail abuts apartment homes, street intersections, public art, views of the city and pocket parks. There was a portion of the trail where the boundary was not blurred, and compressed as we passed a construction site, and under a bridge next to the Wall of Death.

The trail also incorporates a multi-sensory experience. Overall the path offers beautiful views and a connection to the environment, which is both psychologically healing and visually pleasing. The site encourages people who are out exercising and experiencing the beauty that the city and the trail have to offer. The views of the city and green vegetation are relaxing. Everyone who passed the construction site shared the overwhelming acrid odor. People hear the noise of traffic passing under the bridge. The space compresses under a blanket in shadows, the art suggests a darker side to the sequence.

For us the Burke Gilman trail connects the diverse character of the city with the people in the city. At the end of our sequence, Gasworks Park stood as a landmark connecting the trail with culture, history, ecology and cityscape.

By: Gabriel Cash, Guanyi Gao, Zhehang Lin